- WAVES MULTIRACK NATIVE REVIEEWS MAC OS
- WAVES MULTIRACK NATIVE REVIEEWS PORTABLE
- WAVES MULTIRACK NATIVE REVIEEWS SOFTWARE
- WAVES MULTIRACK NATIVE REVIEEWS PLUS
Connections with the SoundGrid network are made using its four RJ45 Ethernet sockets. The Digigrid IOS offers eight combi mic/line inputs and eight line outs, mirrored on jacks and a D–Sub connector. Like the Digigrid DLS, but unlike any of the other models, the IOS has a SoundGrid DSP server built in, so you can set up a complete Digigrid system with just an IOS, a computer and an Ethernet cable.
WAVES MULTIRACK NATIVE REVIEEWS PLUS
It features eight mic/line inputs, eight line outs that are mirrored on D–Sub and quarter–inch jacks and a pair of front–panel headphone outputs plus MIDI, word clock and AES3 digital I/O. The IOC, by contrast, is intended for connection to other manufacturers’ preamps or A–D converters: it has two front–panel headphone sockets and two mic/line inputs, but the bulk of its I/O is on D–Sub connectors, providing 16 channels of AES3 digital and eight analogue line inputs and outputs, along with word clock and a single optical ADAT in and out.įinally, the Swiss Army knife of the range is the IOS, a 2U device that offers all you need to set up a small–scale Digigrid system. With 12 mic/line inputs on combi XLR connectors, six line outs on quarter–inch jacks and four independent stereo headphone outs, the 1U rackmounting Digigrid IOX is designed to live in your live room, piping miked signals into the network and cue mixes back to the musicians.
WAVES MULTIRACK NATIVE REVIEEWS PORTABLE
Of these, four have no analogue I/O at all: the MGO and MGB are portable devices designed primarily to enable a laptop to hook into the MADI output of a live-sound rig or similar, while the DLS and DLI are intended to allow a Digigrid network to interface with Pro Tools HD, HDX and HD Native systems (see box).Īssuming you run a non–HD–equipped studio, that leaves a palette of three multi–purpose interfaces to choose from. To start with the physical side of things, the current Digigrid range includes a total of seven Digico audio interfaces.
WAVES MULTIRACK NATIVE REVIEEWS SOFTWARE
If more users want access to your Digigrid network, then as long as they have the software installed and licensed on their computers, they too can simply plug in a Cat 5e or Cat 6 cable. If, for instance, you find yourself running out of audio inputs or DSP horsepower, you can simply buy or rent another Digigrid unit, power it up and attach it to the network. And it’s scalable because you can add more of the physical components at any time.
It’s a network in the sense that its features can be shared and used by any connected computer (with the limitation that individual DSP servers can’t split their processing between more than one user). It’s an infrastructure because it’s designed to be permanently installed at the heart of a studio. These are connected physically by Ethernet cables, and functionally by Waves’ SoundGrid Studio software, which handles routing, monitoring and audio processing.
WAVES MULTIRACK NATIVE REVIEEWS MAC OS
And although the three words in question make for a slightly indigestible mouthful, they do in fact describe the Digigrid system well.Ī Digigrid system is made up of three types of physical element: computers running Mac OS or Windows audio interfaces and DSP servers. This particular scalable network infrastructure is a collaboration between two big names in digital audio: Waves, who have created the software component, and Digico, who supply the hardware.
In fact, had anyone asked me what a scalable network infrastructure was, I’d have guessed it was something from The Thick Of It. But as far as I can remember, we’ve never before reviewed a “scalable network infrastructure”. Two heavy hitters in the world of digital audio have come up with an intriguing new synthesis of hardware and software.įrom string libraries to sealing wax, Sound On Sound has evaluated a great variety of products over the years. The five rackmounting members of the Digigrid hardware interface range are, from top, the DLI and DLS, which are specifically designed to connect with Pro Tools HDX systems the versatile IOX which, with its plentiful analogue I/O, is intended to live in a live room the IOC, which offers mainly line–level and digital I/O and the IOS, which includes a built–in SoundGrid server and a broad palette of connection options.
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